The Image Book

نویسندگان

چکیده

Drawing inspiration from Denis de Rougemont’s 1936 text Penser avec les mains, Jean-Luc Godard’s most recent film brings together what the Swiss philosopher calls “penser engagé” with his own unique kind of “cinéma engagé.” The Image Book (Le Livre d’image, 2018) starts three image-gestures that punctuate film: cropped close-up right hand Leonardo da Vinci’s St. John Baptist, French illustrator Joseph Pinchon’s drawing Bécassine her upwards pointing left hand, and hands filmmaker joining spools at a Steenbeck editing table. Like many other “late” Godard films, is multilayered assemblage quotations, sounds, music, art cinematic references. Yet, unlike some its predecessors, this questions monolithic (Occidental) way seeing world, including younger self. Combining citations works philosophical texts Maghreb Middle East, offers itself as an exercise in “thinking one’s hands” results unflinching critique Orientalism twenty-first century well imaginative attempt to reach out to, if not join alongside with, other.

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ژورنال

عنوان ژورنال: Alphaville

سال: 2022

ISSN: ['2009-4078']

DOI: https://doi.org/10.33178/alpha.23.01